The Written Language of Movement
Dance Notation Benesh & Laban
Dance notation is the art and science of recording human movement in written form — creating a visual score that preserves choreography with the same precision that musical notation captures sound. TGC offers training in both major notation systems: Benesh Movement Notation, the standard in professional ballet companies worldwide, and Labanotation, the comprehensive movement analysis system used across dance, theatre, anthropology, and movement research. Together, these systems give students the tools to document, reconstruct, analyze, and preserve the world's choreographic heritage.
Systems
Two World Standards
Benesh Movement Notation and Labanotation, the only comprehensive movement writing systems.
Careers
Professional Notators
Ballet companies, archives, reconstruction projects, and academic research worldwide.
Heritage
Preserving Choreography
From Petipa's classics to contemporary works, notation ensures dance survives beyond the living memory of dancers.
Connection
Maps to Ballet Division
Integrates with classical ballet, contemporary dance, choreography, and dance history.
The Art of Notation
Writing Movement on the Page
Unlike music, which has had standardized notation for centuries, dance has long relied on oral transmission — choreography passed from body to body, generation to generation, with inevitable loss and distortion. Dance notation solves this problem by creating a precise written record of movement: every step, gesture, pathway, and timing captured in symbolic form.
CNSMDP is one of very few institutions worldwide offering professional training in both Benesh and Laban systems — and it is principally in France that excellence-level notators are trained. TGC brings this rare expertise online, making notation education accessible to dance professionals worldwide. Students can pursue a focused first-year introduction or continue into advanced study to become professional notators, reconstructors, or notation teachers.
System 1
Benesh Movement Notation
Invented by Rudolf and Joan Benesh in the 1950s, Benesh Movement Notation (BMN) is the standard notation system used by major ballet companies including the Royal Ballet, Paris Opera Ballet, and Australian Ballet. BMN uses a five-line staff (representing the body from head to feet) with symbols placed to indicate the position and movement of each body part. It is read left to right, synchronized with the musical score, making it ideal for notating ballet and other dance forms set to music.
Students learn to read, write, and check Benesh scores, progressing from basic positions through complex choreographic sequences. The curriculum covers notation of classical ballet vocabulary, contemporary movement, spatial patterns, and the relationship between notation and music.
System 2
Labanotation & Movement Analysis
Developed by Rudolf Laban in the 1920s, Labanotation is a comprehensive system for analyzing and recording all forms of human movement — not just dance but also theatre, ritual, sign language, physical therapy, and ergonomics. The system uses a vertical staff read from bottom to top, with columns representing different body parts and symbols indicating direction, level, duration, and dynamic quality.
Laban Movement Analysis (LMA) extends the notation into a complete framework for understanding movement quality, space, effort, and shape. Students develop fluency in reading and writing Labanotation and in applying LMA concepts to movement analysis across disciplines.
Practical Applications
Where Notation Lives
Dance notation is not an abstract academic exercise. It is a practical tool used daily by professionals around the world to preserve, reconstruct, create, analyze, teach, and research human movement. These are the fields where trained notators make an irreplaceable contribution.
Archiving Choreography
Documenting existing works for permanent preservation in dance archives and institutional collections worldwide.
Reconstructing Historical Works
Bringing lost or forgotten choreographies back to life from notated scores, bridging past and present.
Choreographic Planning
Using notation as a compositional tool for creating new works with precision and structural clarity.
Movement Research
Analyzing dance technique, style, and expression through systematic notation and movement analysis frameworks.
Teaching & Pedagogy
Using notation to teach dance technique, history, and repertoire with greater precision and consistency.
Beyond Dance
Applications in physical therapy, sports science, anthropology, sign language research, and robotics.
Professional Opportunities
Careers in Dance Notation
Professional notators are employed by major ballet companies, dance archives, universities, and cultural institutions worldwide. Career paths include: company notator (documenting repertoire for a ballet company), freelance reconstructor (staging historical works for companies worldwide), academic notator (teaching and researching at universities), archive specialist (managing notated collections), and notation consultant (advising choreographers and producers).
The demand for qualified notators consistently exceeds supply. As dance companies and archives increasingly recognize the importance of preserving choreographic heritage, the need for professionals who can read, write, and interpret notation scores continues to grow.
Who This Is For
Your Path into Notation
Dance notation study is open to anyone with a serious interest in movement and its documentation. Whether you are an active performer, a creator, a researcher, or a teacher, notation gives you a powerful new lens through which to understand, communicate, and preserve dance.
Documenting Your Art
For professional dancers wanting to preserve and analyze repertoire with precision and permanence.
Composition Tools
For choreographers seeking precise planning and documentation methods for their creative work.
Research Methodology
For dance scholars and historians needing analytical tools to study movement across cultures and eras.
Teaching Excellence
For dance teachers wanting to enhance pedagogical precision and transmit repertoire with greater fidelity.
Frequently Asked Questions
Common Questions
Answers to the questions we hear most from prospective students about dance notation, the two systems, and what to expect from the program.
It depends on your goals. If you work primarily in ballet or plan to pursue a career with a ballet company, Benesh Movement Notation is the industry standard and an excellent starting point. If your interests span multiple movement disciplines — contemporary dance, theatre, anthropology, or movement research — Labanotation and Laban Movement Analysis offer a broader analytical framework. Many students ultimately study both systems, and TGC's program is designed to support that progression.
A foundation in dance is strongly recommended but not strictly required. Most successful notation students have training in ballet or another dance form, as practical movement experience makes it much easier to understand and visualize what the symbols represent. However, students from related fields — such as music, theatre, anthropology, or physical therapy — have also succeeded in notation study, particularly in Labanotation and LMA, which are designed to describe all human movement, not just dance.
No. Video and notation serve fundamentally different purposes and are complementary, not competing, tools. Video captures what a specific performance looked like from a fixed camera angle at a particular moment. Notation captures the choreographer's intention — the structure, spatial design, timing, and movement quality of a work in a form that can be read, analyzed, and reproduced by any trained notator. A notated score can be used to stage a work decades or centuries later with a precision that video alone cannot achieve. Many companies use both video and notation together.
Basic literacy in either system — the ability to read simple scores and notate basic movement sequences — can be achieved in one to two years of focused study. Professional-level proficiency, where you can independently notate complex choreographic works, reconstruct ballets from scores, or teach notation at an advanced level, typically requires three to five years of intensive training and practical experience. TGC's program is structured to support both introductory and advanced tracks.
Yes. Notation study is particularly well-suited to online delivery. The core skills — reading symbols, writing scores, analyzing movement from video — translate naturally to a digital environment. Students work with notation software, video analysis tools, and digital manuscripts. Live sessions with expert instructors provide real-time feedback on score reading and writing exercises. Many professional notators already work remotely, analyzing video footage and producing scores from their home studios, so the online format mirrors real-world professional practice.
Yes, and demand consistently exceeds supply. There are fewer than 200 professional Benesh notators worldwide, and major ballet companies, dance archives, universities, and cultural institutions regularly seek qualified notation specialists. Career opportunities include company notator positions, freelance reconstruction work, academic teaching and research posts, archive management roles, and consulting for choreographers and producers. The field is small but stable, and qualified notators rarely struggle to find meaningful work.
Get in Touch
Start the Conversation
Have questions about dance notation study? Want to learn more about the Benesh or Laban programs, or discuss which system might be right for your goals? Reach out and our Ballet & Dance Division team will follow up with guidance, resources, and next steps.
We are here to help
Whether you are a dancer exploring notation for the first time or an experienced professional seeking advanced certification, our team can help you find the right path into this extraordinary discipline.